Hungarian academic and performer Peter Molnar explains the importance of Gondolatbátorság to his ‘Hate Speech’ Monologues.
Tore Slaatta investigates Norwegian artists’ views on their freedom of expression in contemporary society.
Hartosh Bal explains the role of the new Freedom Trust in the context of India’s media environment, and how they hope to defend freedom of expression.
John Donatich, the director of Yale University Press, explains and defends his decision not to include illustrations in Jytte Klausen’s book.
Professor Jytte Klausen analyses and criticises Yale University Press’s decision to remove images of Muhammad from her scholarly book on the Danish cartoons controversy.
Middle East specialist Rory McCarthy examines the role of Islamist movement Ennahdha in shaping, and constraining, freedom of speech in Tunisia after the Arab Spring.
Kim Wilkinson examines the case of celebrated Australian artist Bill Henson, who caused controversy in 2008 with his photography that featured images of naked teenagers.
Katie Engelhart visits a shunga exhibition at the British Museum, and asks if the sexually explicit can be art. Along the way she explores issues of artistic intent and temporality.
Katie Engelhart speaks to Ahmad Akkari to find out why he apologised to one of the Danish cartoonists eight years after fuelling worldwide fury.
We regularly highlight comments that have made an impression on us. FSD user Perreaoult argues that Art has to be completely free as an instrument of expression.
The Mormons reacted brilliantly to the musical satirising their faith, but something important is lost when we treat religions so differently – writes Katie Engelhart.
The Russian parliament’s vote in support of a declaration against acts offending religious sentiments is symptomatic of worrying trends, write Olga Shvarova and Dominic Burbidge.
Did the European Court of Human Rights wrongly considered the distribution of child pornography to be an exercise of freedom of expression in the case Karttunen v. Finland, asks Rónán Ó Fathaigh.
Timothy Garton Ash delivers the Orwell Lecture at an unprecedented literary festival in Rangoon. He talks about three Orwells and three Burmas.
A famous case of state censorship in Austria highlights the tendency of governments to pander to the majority, leaving controversial views unprotected. By Michele Finck.
The relationship between writers and the state is complex, multifaceted and changing. At the Jaipur Literature Festival 2013 a panel of experts explores some of the issues faced by writers around the world.
The award-winning Indian novelist and activist speaks to Manav Bhushan about the limits to free speech in India, including government censorship through the media and “goon squads”.
How a dance theatre production addresses issues of free speech, Islam and multiculturalism. Lloyd Newson, creator of ‘Can we talk about this?’, speaks to Maryam Omidi.
Indian Cartoonist Aseem Trivedi was recently arrested on sedition charges. Manav Bhushan discusses how an archaic section of India’s penal code has been used to silence government critics.
Olga Shvarova argues that Russian officials used the Orthodox Church as a political pawn to reinforce their own power during the Pussy Riot trial.
Historian Khaled Fahmy describes how historic Egyptian books are more easily found in Western than in Egyptian libraries – and how a scholarly history of the Middle East was recently banned from entering Egypt.
During the closing ceremony of the 2012 London Olympics, a Turkish National TV presenter censored John Lennon’s song Imagine. FSD team member Funda Ustek discusses how Turkey is trying to eliminate its citizens’ ability to imagine a world without religion.
Romedia Foundation aims to disseminate an insider’s view of Romani issues, empower Romani activists and challenge stereotypes through new media.
In 2011, a South African court banned the anti-apartheid song “Shoot the Boer” after ruling it hate speech, writes Nimi Hoffmann.
From the Black Power Salute to Kozakiewicz’s Gesture, the Olympics have long served as a platform for political demonstrations, writes Brian Pellot.
In 2008, six British ISPs blocked access to a Wikipedia page featuring an album cover with an image of a prepubescent naked girl, writes Maryam Omidi.
A South Korean photographer explains his ordeal in holding an exhibition in Japan that documents ageing ‘Comfort Women’, writes Lee Yoo Eun.
A South African art gallery removed an explicit painting of President Jacob Zuma after pressure from the African National Congress, write Nimi Hoffmann and Maryam Omidi.
A Japanese video game that involved raping women was banned three years after its creation following an international outcry by women’s groups, writes Judith Bruhn.
The third episode of the On Free Speech podcast features exclusive interviews with filmmaker Nick Sturdee on the Russian art collective Voina and stand-up comedian Tom Greeves on the UK’s parody laws.
Author Salman Rushdie cancelled his appearance at the Jaipur Literature Festival after being informed that “paid assassins from the Mumbai underworld” were out to kill him, writes Manav Bhushan
BBC television’s broadcast of Jerry Springer: The Opera in January 2005 was met with protests by Christian groups. Maryam Omidi discusses whether the BBC was right to air the programme.
In 2010, Polish singer Doda was charged with “offending religious feelings” after she said she believed more in dinosaurs than the creation story in the Bible. Annabelle Chapman considers the case.
Since its creation in 1987, Artist Andres Serrano’s Piss Christ, a plastic crucifix in a jar of urine, has divided opinion. In April 2011, the artwork was irreparably damaged by vandals at the Collection Lambert art museum. Katie Engelhart considers whether it was right for the museum to have exhibited the work.