Helen Haft explains how the Orthodox Church has eroded freedom of the media and lobbied for the 2013 law against offending religious feelings.
Paul Cliteur and Tom Herrenberg, editors of a book on The Fall and Rise of Blasphemy Law, consider the changing nature of censorship.
Danyal Kazim explores the violent reaction to the YouTube video in Pakistan – starting with trying to access it from there.
The celebrated English novelist on Islam’s ‘totalitarian moment’ and why freedom of expression is not religion’s enemy but its protector.
25 years after the fatwa and the fall of the Berlin Wall, Salman Rushdie discusses with Timothy Garton Ash whether there is now more or less freedom of expression in Europe, worrying developments in India and his critical view of Edward Snowden.
Alain Bouldoires talks to Timothy Garton Ash about the survival of blasphemy laws in Europe, and calls for a ‘right to blaspheme’.
Anthony Lester and Zoe McCallum look at how the ghost of the English Court of the Star Chamber has been used to suppress free speech.
Professor Jytte Klausen analyses and criticises Yale University Press’s decision to remove images of Muhammad from her scholarly book on the Danish cartoons controversy.
Middle East specialist Rory McCarthy examines the role of Islamist movement Ennahdha in shaping, and constraining, freedom of speech in Tunisia after the Arab Spring.
Legal philosopher Martha Nussbaum gave the 2013 Dahrendorf Lecture, exploring how to live with religious diversity.
The Mormons reacted brilliantly to the musical satirising their faith, but something important is lost when we treat religions so differently – writes Katie Engelhart.
The Russian parliament’s vote in support of a declaration against acts offending religious sentiments is symptomatic of worrying trends, write Olga Shvarova and Dominic Burbidge.
At the 2013 Jaipur Festival, Ian Buruma, Reza Aslan, Ahdaf Souief and Timothy Garton Ash, in conversation with Shoma Chaudhury, talk about the relationship between religion and politics and how to deal with religious threats to free speech.
At the European Court of Human Rights, the case of I.A. against Turkey in 2005 acted as a controversial precedent for limiting Article 10’s definition of freedom of expression in the name of religion, explains Michele Finck.
At the invitation of Index of Censorship and the Editors Guild of India, Timothy Garton Ash joins Kirsty Hughes at a panel discussion in Delhi with Shri Ajit Balakrishnan, Shri Sunil Abraham and Ramajit Singh Chima.
Islam, Christianity and Judaism are often accused of wanting to restrict free speech. Dominic Burbidge suggests a radically different perspective, from inside the thought-system of the Abrahamic faiths.
The historian and writer explains the reasoning behind author Salman Rushdie’s no-show at the 2012 Jaipur Literary Festival.
FSD’s Katie Engelhart sat in on this Frontline Club debate to discuss controversy surrounding the YouTube video Innocence of Muslims.
While a Pakistani minister offers a $100,000 reward for the murder of the man who made the notorious Innocence of Muslims video, a British Muslim responds in exemplary fashion to “this imbecile named Sam Bacile”. Timothy Garton Ash commends his clip.
Join us to debate the role internet platforms like YouTube should play in setting free speech agendas in your country, your language and across the world. Online editor Brian Pellot kicks off the discussion.
Olga Shvarova argues that Russian officials used the Orthodox Church as a political pawn to reinforce their own power during the Pussy Riot trial.
Following the Arab Spring, a venerable Islamic institution’s new Statement on Basic Freedoms suggests where sharia law may (and may not) be compatible with international conventions to guarantee free expression.
Was punk band Pussy Riot’s anti-Putin performance in a Moscow church ‘religious hatred hooliganism’ or an artistic form of political dissent? Olga Shvarova considers the case.
“The one thing not at issue in the Jaipur controversy was some theologically motivated attack on the freedom of expression,” writes historian Faisal Devji.
मानव भूषण लिखते है कि लेखक सलमान रुश्दी ने जयपुर साहित्य महोत्सव में अपनी उपस्थिति रद्द कर दी जब उन्हें सूचित किया गया कि “मुंबई अंडरवर्ल्ड से पेशावर हत्यारे” उन्हें मारने के लिए आ रहे है
The execution of apostates should be annulled but insulting religion should be recognised as a crime, writes Iranian cleric Mohsen Kadivar.
The director of the Moral Courage Project says so-called ‘respect’ for Muslims is often lined with fear and “low expectations” of those practising the faith.
The second episode of FSD’s monthly podcast looks at free speech in India, internet censorship in China and Facebook’s attitude towards privacy.
The director general of the BBC explains why it aired Jerry Springer: The Opera, and talks about different responses to Christianity and Islam.
Naguib Sawiris was accused of contempt for tweeting an image of Mickey and Minnie Mouse, respectively sporting a bushy beard and veil, writes Jacob Amis
As of August 2012, Saudi Arabian writer Hamza Kashgari faced a trial for allegedly insulting the Prophet Muhammad on Twitter, writes Brian Pellot.
BBC television’s broadcast of Jerry Springer: The Opera in January 2005 was met with protests by Christian groups. Maryam Omidi discusses whether the BBC was right to air the programme.
A documentary depicting the Turkish Republic’s founder, Kemal Atatürk, as a “drunken debaucher” was seen as an attack on “Turkishness”, write Irem Kok and Funda Ustek.
In 2009, Aasia Bibi, a Christian Pakistani woman was accused of blasphemy. The governor who called for a review of her case was killed two years later, writes Ayyaz Mallick.
In 2010, Polish singer Doda was charged with “offending religious feelings” after she said she believed more in dinosaurs than the creation story in the Bible. Annabelle Chapman considers the case.
1987 में, न्यूयॉर्क स्थित कलाकार एन्ड्रेस सेर्रानो अपने ही मूत्र को एक जार में रख उसमें एक प्लास्टिक का ईद्भास डूबोई और तस्वीर खींच ली। परिणामस्वरूप कार्य – पूर्ण शीर्षक : विसर्जन (मूत्र मसीह) – 1989 में मामूली प्रशंसा के साथ प्रदर्शित किया गया था, और इसने समकालीन कला के दक्षिणपूर्वी केंद्र का “दृश्य कला में पुरस्कार” जीता। सेर्रानो ने तस्वीर को धर्म के व्यावसायीकरण पर एक टिप्पणी के रूप वर्णन किया था।
Watch and listen to atheist philosopher A C Grayling, journalist and practising Christian Charles Moore, and Usama Hasan, a scientist and imam, discuss free speech and religion.