Filtrar por colaborador 'ENGELHART Katie' quem é o autor 8 posts

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					Sem pérolas de liberdade de expressão em Bahrein
				
Katie Engelhart falou com o ativista bahreinita Nabeel Rajab horas antes dele ser sentenciado a seis meses de prisão por causa de um tweet.

					Google grapples with the ‘right to be forgotten’
				
Katie Engelhart attends the public hearing of Google’s Advisory Council, set up in response to a European Court of Justice judgement.

					Does a British Museum exhibition turn porn into art?
				
Katie Engelhart visits a shunga exhibition at the British Museum, and asks if the sexually explicit can be art. Along the way she explores issues of artistic intent and temporality. 

					From Muslim activist to free speech defender: the story of Ahmad Akkari and the Danish cartoon controversy
				
Katie Engelhart speaks to Ahmad Akkari to find out why he apologised to one of the Danish cartoonists eight years after fuelling worldwide fury. 

					What are the biggest debates concerning Islam and free speech?
				
FSD’s Katie Engelhart sat in on this Frontline Club debate to discuss controversy surrounding the YouTube video Innocence of Muslims. 

					Greve de fome como liberdade de expressão
				
Em 2011, Anna Hazare, um ativista indiano de 74 anos fez uma greve de fome radical como uma forma de pressionar o governo a promulgar a legislação anti-corrupção. Greve de fome de ser considerada um ato de liberdade de expressão? Manav Bhushan e Katie Engelhart oferecem pontos de vista contrastantes.

					Julian Assange: a journalist?
				
In 2010, Wikileaks released its first tranche of classified US state department cables. If Julian Assange, founder of the whistle-blowing website, qualifies as a journalist then he would be protected under the first amendment, writes Katie Engelhart.

					O Cristo-urinado
				
Em 1987, o artista nova iorquino Andres Serrano submergiu um crucifixo de plástico em uma vasilha que continha sua urina, e fotografou a cena. O resultado do trabalho tm dividido opiniões desde então. Em abril de 2011, a obra foi danificada por vândalos no museu Collection Lambert. Katie Engelhart considera se o museu agiu corretamente ao exibir o trabalho.

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