Thirteen languages. Ten principles. One conversation.
Timothy Garton Ash introduces a sample tour of the content on our site.
Timothy Garton Ash introduces a sample tour of the content on our site
A leaked document in June 2014 from Egypt’s ministry of the interior invited tenders for cyber-surveillance technology to combat blasphemy, sarcasm and ‘lack of morality’ - the technology would likely come from the west. Max Gallien reports.
Internet Service Providers do not merely route data packets from end-to-end, but are heavily involved in monitoring their customers’ online activities. Ian Brown discusses the implications of Britain's suggested “voluntary” opting out of “adult content”, with little parliamentary and court involvement.
In a bid to synchronise hate crimes, the EU is seeking unity amongst members states against the denial of historical injustices. Is this the EU versus member states’ appreciation of intellectual freedom? Luigi Cajani explains.
Bassem Youssef and the Egyptian struggle for freedom of speech.
Anthony Lester and Zoe McCallum discuss the need to balance national security and privacy in the age of internet surveillance.
Robert Coalson looks at how Russian television depicts everything from the crisis in Ukraine to the war in Syria.
Anthony Lester and Zoe McCallum look at how the ghost of the English Court of the Star Chamber has been used to suppress free speech.
Samson Yuen and Kitty Ho argue that the stabbing of a former Hong Kong news editor is a symptom of a broader squeeze on the city’s freedoms.
John Donatich, the director of Yale University Press, explains and defends his decision not to include illustrations in Jytte Klausen’s book.
Free speech scholar Eric Heinze identifies the main arguments for laws restricting hate speech and says none are valid for mature Western democracies.
Cherian George on how hate speech is gaining virulence in Asian countries such as Myanmar, and how peace-building workshops represent a positive step forward.
Our draft principles, and Timothy Garton Ash's personal introduction, have been translated into Catalan.
Pere Vilanova reflects on his personal experience of learning his ‘native’ tongue – as a third language.
Katherine Bruce-Lockhart looks at the media's role in two Kenyan elections and argues that peace and critical media coverage should not be mutually exclusive.
Marc-Antoine Dilhac recounts how he confronted anti-semitic prejudice in a French classroom, and argues that more good comes from an open debate about hate speech than from banning it.
Nazi past? Stasi past? Sebastian Huempfer challenges the conventional explanations for Germany’s strong reaction to Edward Snowden’s revelations about NSA snooping.
Jonathan Heawood on ten reasons why independent self-regulation is good for free speech – and how his new initiative, IMPRESS, proposes to go about it.
Middle East specialist Rory McCarthy examines the role of Islamist movement Ennahdha in shaping, and constraining, freedom of speech in Tunisia after the Arab Spring.
Kim Wilkinson examines the case of celebrated Australian artist Bill Henson, who caused controversy in 2008 with his photography that featured images of naked teenagers.
Leslie Green, a distinguished legal philosopher who has written extensively about issues of obscenity and pornography, challenges our case study on online porn filters.
Martin Moore, director of the Media Standards Trust, argues that the British press has denied the British public a proper debate on press regulation.
Katie Engelhart visits a shunga exhibition at the British Museum, and asks if the sexually explicit can be art. Along the way she explores issues of artistic intent and temporality.
Oxford University’s Ian Brown asks what Europe can do to protect our digital rights and privacy.
Celebrating the 50th anniversary of the March on Washington must be the beginning of the discussion of race, not the end. Bassam Gergi discusses why the depoliticisation of race in the US is problematic and only open debate can lead to progress.
Katie Engelhart speaks to Ahmad Akkari to find out why he apologised to one of the Danish cartoonists eight years after fuelling worldwide fury.